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Antonio Asensi, Evil castañuelas and the cementery of spanish guitars. 2015, acrylic on plywood, 175 x 200 cm
ANTONIO ASENSI
25 June 2020
Everything for which he himself is worthy of admiration. 2019, ink and oil on canvas, 77 x 77 cm

Everything for which he himself is worthy of admiration
2019, ink and oil on canvas, 77 x 77 cm

CARMEN GONZÁLEZ CASTRO

  • AVAILABLE WORKS
  • BIOGRAPHY
Carmen González Castro Laocoonte. Introspective series. 2017, oil on canvas, 73 x 146 cm.
Laocoonte. Introspective Series
2017, oil on canvas, 73×146 cm
Carmen González Castro, Abel. Introspective Series. 2017, oil on canvas, 73 x 146 cm.
Abel. Introspective Series
2017, oil on canvas, 73 x 146 cm
Saw the sky and his lover at once. Pigmalión y Galatea series. 2017, oil on canvas, 50x39 cm.
She Saw The Sky and Her lover at once. Pigmalión y Galatea series
2017, oil on canvas, 50×39 cm
Carmen González Castro, Staring its own reflection. 2019, ink and oil on canvas, 80 x 80 cm.
Staring its own reflection
2019, ink and oil on canvas, 80 x 80 cm
Carmen González Castro, Want yourself without knowing it. 2019, ink and oil on canvas, 80 x 80 cm
Want yourself without knowing it
2019, ink and oil on canvas, 80 x 80 cm
Everything for which he himself is worthy of admiration. 2019, ink and oil on canvas, 77 x 77 cm
Everything for which he himself is worthy of admiration
2019, ink and oil on canvas, 77 x 77 cm
Carmen González Castro, Doesn't know what he sees. 2019, ink and oil on canvas, 77 x 77 cm.
Doesn’t know what he sees
2019, ink and oil on canvas, 77 x 77 cm
Carmen González Castro, Lo que amas, lo pierdes en cuanto te vuelves de espaldas". 2019, ink and oil on canvas, 146 x 73 cm.
Lo que amas, lo pierdes en cuanto te vuelves de espaldas
2019, ink and oil on canvas, 146 x 73 cm
Carmen González Castro, Why do you try to grasp, you fool, a fleeting image?. 2019, ink and oil on canvas, 146 x 73 cm
Why do you try to grasp, you fool, a fleeting image?
2019, ink and oil on canvas, 146 x 73 cm
Carmen Gonzalez Castro

Carmen González Castro (Granada, 1982), graduated in Fine Arts from the University of Granada, getting honorable mention in the National Awards for Completion of University Studies of the Ministry of Education and Science for the best university record in Spain. She obtained a European doctorate in Fine Arts in 2011 and a Master’s in Research, Art and Creation from the Complutense University of Madrid in 2012. Currently, she teaches drawing at the Faculty of Fine Arts at the Complutense University of Madrid. It has work in the collections of the Diputación de Málaga and the Granada City Council. She has exhibited among others in the following spaces: Punto Rojo Gallery (Granada, 2014); Ramsés Life and Art (Madrid, 2014); Ruiz-Linares Gallery (Granada, 2017); LA Projects Gallery (Madrid, 2017); Instituto de América-Damián Bayón Center (Santa Fe, Granada, 2017); and La Madraza Palace (Granada, 2019). She has participated in group exhibitions in: Granada, Malaga, Seville, Madrid, Barcelona and London. She has also participated in the international ArtChicó 3 fairs in Bogotá and ARCO Madrid.

Carmen González Castro’s work focuses on the human body. Reviewing themes from mythology, Carmen questions the current canons of beauty and the perception that we have now compared to other times. Her realistic painting is of a New Figurative type. Her portraits are not hyper-realistic, she makes frequent use of warping.

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