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Cristina Toledo, Weeping. 2018, oil on canvas, 27 x 41 cm.
The kidnapped emotion
30 June 2020
Double Life. 2019, Direct UVI Print on White Dibond, 65 x 47 cm, single copy.
Carta blanca “dos”
2 July 2020
Christophe Faso. El Dorado. Serie Champs Élysées. 2018, collage and acrylic on canvas, 162 x 114 cm.

Christophe Faso
El Dorado. Serie Champs Élysées
2018, collage and acrylic on canvas, 162 x 114 cm

Antonio Asensi, Nicolas Cluzel, Javier Artica, Cristina Toledo, Carmen González Castro, Alejandro Bombín, Cristophe Fasso

ANNIVERSARY COLLECTIVE EXHIBITION « 1 »

APRIL 25th – JUNE 1st 2019

  • Antonio Asensi. Tonadillera’s revenge and la niña del knife. 2015, acrylic on plywood, 100 x 100 cm.
    Antonio Asensi
    Tonadillera’s revenge and la niña del knife
    2015, acrylic on plywood, 100 x 100 cm
  • Nicolas Cluzel. Mascarade. 2017, acrylic on canvas, 89 x 116 cm.
    Nicolas Cluzel
    Mascarade
    2017, acrylic on canvas, 89 x 116 cm
  • Christophe Faso. El Dorado. Serie Champs Élysées. 2018, collage and acrylic on canvas, 162 x 114 cm.
    Christophe Faso
    El Dorado. Serie Champs Élysées
    2018, collage and acrylic on canvas, 162 x 114 cm
  • Antonio Asensi. Evil Castañuelas And The Cementery Of Spanish Guitars. 2015, acrylic on canvas, 175 x 200 cm.
    Antonio Asensi
    Evil Castañuelas And The Cementery of Spanish Guitars
    2015, acrylic on canvas, 175 x 200 cm
  • Alejandro Bombín. Melusina. 2016, acrylic on canvas, 130 x 89 cm.
    Alejandro Bombín
    Melusina
    2016, acrylic on canvas, 130 x 89 cm
  • Javier Artica. Make Up. 2016, oil on plywood, 92 x 66 cm.
    Javier Artica
    Make Up
    2016, oil on plywood, 92 x 66cm
  • Carmen González Castro. Laocoonte. Introspective Serie. 2017, oil on canvas, 73 x 146 cm.
    Carmen González Castro
    Laocoonte. Introspective Serie
    2017, oil on canvas, 73 x 146 cm
  • Carmen González Castro. Abel. Introspective Serie. 2017, oil on canvas, 73 x 146 cm.
    Carmen González Castro
    Abel. Introspective Serie
    2017, oil on canvas, 73 x 146 cm
  • Javier Artica. Chains. 2018, oil on canvas, 130 x 97 cm.
    Javier Artica
    Chains
    2018, oil on canvas, 130 x 97 cm
  • Christophe Faso. Climax. Serie Champs Élysées. 2018, collage and acrylic on canvas, 146 x 114 cm.
    Christophe Faso
    Climax. Serie Champs Élysées
    2018, collage and acrylic on canvas, 146 x 114 cm
  • Cristina Toledo. Back to the Camera. 2018, oil on canvas, 80 x 190 cm.
    Cristina Toledo
    Back to the Camera
    2018, oil on canvas, 80 x 190 cm
  • Christophe FasoAbus de pouvoir. Série Passerelles Charnelles. 2014, ink and acrylic on paper, 65 x 50 cm
    Christophe Faso
    Abus de pouvoir. Série Passerelles Charnelles
    2014, ink and acrylic on paper, 65 x 50 cm
  • Carmen González Castro. ”She Saw The Sky and Her lover at once”. Pigmalion and Galatea’s Serie. 2017, oil on canvas, 50 x 39 cm.
    Carmen González Castro
    ”She Saw The Sky and Her lover at once”. Pigmalion and Galatea’s Serie
    2017, oil on canvas, 50 x 39 cm
  • Carmen González Castro. “She finally kissed true lips”. Serie Pigmalion and Galatea’s Serie. 2017,oil on canvas, 41 x 33 cm.
    Carmen González Castro
    “She finally kissed true lips”. Pigmalion and Galatea’s Serie
    2017, oil on canvas, 41 x 33 cm
  • Antonio Asensi. Calzedonia: Chorizo Sandwiches. 2018, acrylic on plywood, 100 x 100 cm.
    Antonio Asensi
    Calzedonia: Chorizo Sandwiches
    2018, acrylic on plywood, 100 x 100 cm
  • Alejandro Bombín. Fatcom. 2007, acrylic on plywood, 49 x 50,5 cm.
    Alejandro Bombín
    Fatcom
    2007, acrylic on plywood, 49 x 50,5 cm
  • Alejandro Bombín. Mountain Family Yeti. 2008, acrylic on plywood, 46 x 36 cm.
    Alejandro Bombín
    Mountain Family Yeti
    2008, acrylic on plywood, 46 x 36 cm
  • Alejandro Bombín. Guitar Hero. 2018, acrylic on plywood, 30 x 40 cm.
    Alejandro Bombín
    Guitar Hero
    2018, acrylic on plywood, 30×40 cm.
  • PRESS RELEASE

    ANNIVERSARY COLLECTIVE EXHIBITION « 1 »

    “1” means a its been a whole year since we opened the Gallery, a year of exhibitions, of encounter with artista and a very intense working experience. This Show allows us to make a sort of breafing of all it: Antonio Asensi Gallardo, Nicolas Cluzel, Javier Artica y Cristina Toledo. Along with them, we take advantege to introduce future collaborators: Carmen González Castro, Alejandro Bombín and Christophe Faso.

    Throughout this adventure we have faced all the classic questions of what it means to open the doors to the public and, specifically, to the bussiness, intellectual and aesthetic challenges that setting up an art gallery brings.  Focusing on the purely aesthetic, we have maintained our predilection towards figurative painting by establishing a conexion with all that in common that our artistes have, figurative representation apart.

    We are referring here to the more intellectual side. All of them are part of a narrative and critical trend that reinterprets the world around them. All of them are interested in their own way to tell us about the world, with their own discourse and aesthetics and, frequently, their worries and mess.

    We find in Antonio Asensi a use of local iconography full of humor and acidity, that goes through a collective imaginary and paradoxically deformed scenes, going like no one does to the essence of the Universal. Nicolas Cluzel, openly critical, is inspired by classical painting to enrich his contemporary vision on the consumer society and its implicit crises while, Javier Artica, taking Nature and the Human Being as sources, confronts us with survival under forms of defense and aggression. Cristina Toledo, meanwhile, focuses on the role of women, showing codes of conduct in which the overacted emotions and the absence of naturalness predominate. In the case of Carmen González Castro and Alejandro Bombín, there is a dialogue about the body in its deepest aspect, deforming reality like Antonio Asensi does, to make us feel more real. Finally, Christophe Faso addresses our most intimate self, referring to both myths and mere events, with its most oppressive parts.

    In the end, behind their work, a main idea underlies: the burden that comes with being Human, in its widest meaning. Without even realizing it, they end up joining an ideal pictorial trend that could remind us of the French group of Narrative Figuration in the 1960s, mythical for voluntarily taking an intellectual and political approach on their days.  Antonio Asensi Gallardo, Nicolas Cluzel, Javier Artica, Cristina Toledo, Carmen González Castro, Alejandro Bombín and Christophe Faso are among these young artists who could have formed an artistic group at the end of the 20th century. But they live in an age where the very idea of ​​belonging to the group has desapeaired in favor of global individualism.  From our position as instigators of this project, we will continue to reconnect with that spirit and expose brave and interesting artists who are worth to be contemplated and acquirired. We have just signed our first year, hoping to announce promising future years, here or where life takes us.

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    • MARÍA CARBONELL
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    EXHIBITIONS

    • 7
    • Carta blanca « dos »
    • Anniversari Collective Exhibition « 1 »
    • The kidnapped emotion
    • Mechanisms of Defense
    • State of emergency
    • National bestiary

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